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The success is in fact immediate, and the young performer is invited to the most important television broadcasts and the single reaches the top positions of the hit-parade, and is worth to Mia Martini her first Gold Record in sales. In September she also participates for the first time to the Mostra Internazionale di Musica Leggera in Venice with "Donna sola", poignant song with strong soul influences.
The track will prove to be the most successful single of the entire event, with approximately , copies sold; consequently Mia Martini will be awarded the following year with the prestigious Gondola D'Oro. The album reaches the top of the charts and totals around , copies sold [17] and receives the Record Critics Award as the best LP of At the beginning of her two hits "Piccolo uomo" and "Donna sola" are released in Germany.
In some European countries like France and Spain, they begin to pay attention to the Calabrian singer, hosting her in various television shows and Mia Martini is called by critics "the queen of youth music in Italy".
The record label Ricordi proposes to Mia Martini to perform at Sanremo Music Festival with the track "Vado via": Mia Martini at first accepts, and then renounces in extremis, decreeing the fortune of Drupi , who had sung the audition of the song and he is invited to compete at Sanremo festival. The lyrics of "Minuetto" are written after attempts made by Maurizio Piccoli and Bruno Lauzi , who had tried in vain to make a convincing draft; they decide to contact Franco Califano , who — taking inspiration from the latest sentimental events of Mia Martini herself — is able to write for her a timeless success, a success also due to an excellent arrangement, in support of the complex score by Baldan Bembo, in which different musical atmospheres can be identified: from the classical citations of Bach to pop ballads from overseas.
With "Minuetto", her best-selling song, [19] Mia Martini obtains a new Gold Record and a platinum record, [20] as well as the victory at Festivalbar , [21] her second victory in a row at the competition. The record remains in the top ten of the best-selling singles for 22 straight weeks, [22] reaching the first position, and making it one of the most successful singles of the The release of this record with the tracks "Bolero" and "Il guerriero" is scheduled by October, but the record will never be released, probably due to the change of rules implemented by Gianni Ravera: in Venice it is no longer possible to compete with a single, but only with the entire LP.
The singer will therefore presents her new album, entitled Il giorno dopo , and will collect the Gondola d'Oro, won the year before with "Donna sola". In addition to the two songs presented in Venice, the new LP contains, among others the track "Ma quale amore", written by Antonello Venditti and Franca Evangelisti, "La malattia", on the then unusual and much censored subject of drug addiction, and "Dove il cielo va a finire", probably one of the most beautiful and significant songs of her career, written by Maurizio Fabrizio.
At the end of , she becomes the female singer to have sold the most records throughout the year, along with Ornella Vanoni and Patty Pravo. During this time, it was scheduled an attendance at the TV show Canzonissima with the song "Adesso vai", but this track will be recorded by Dori Ghezzi the following year. In , Mia Martini is considered by European critics the singer of the year. Her records are released in various countries of the world: she records her successes in French, German and Spanish.
E stelle stan piovendo" Piccoli , become two of the major record hits of the summer '74 both released as A-sides of the same single, given that the two songs in the charts swap positions week after week, despite the complex score of "Inno". Also this year Mia Martini participates at the Festivalbar but as a guest: Vittorio Salvetti, patron of the popular event, asks her not to participate in the competition in order to avoid "burning the race", given the previous two consecutive victories.
In September she participates for the third time at Mostra Internazionale di Musica Leggera in Venice, where she performs for the first time "Inno" and "Agapimu". At the end of the year she records her first television special, entitled Mia , in which Lino Capolicchio and Gabriella Ferri take part: the program airs on 6 February , at the same time as the launch of her new single "Al mondo".
In the summer of , she releases a cover by Nicole Croisille titled "Donna con te" "Une femme avec toi" , summer success with which Mia Martini participates at the Festivalbar. She is proclaimed best female singer of the year through the referendum "Vota la voce", announced by the popular weekly TV Sorrisi e Canzoni , while in autumn she is one of the protagonists of La compagnia stabile della canzone , variety show with Gino Paoli , Gigliola Cinquetti , Riccardo Cocciante and Gianni Nazzaro.
Mia Martini's success, however, pushes her record label Ricordi to put pressure on her, forcing her to record songs mainly of exclusive edition of the record company. The singer is unable to select her music and she sees this demand as a limitation to her artistic freedom. However, being bound by a contract, the singer cannot back down, and when the label Ricordi expressly asks her for a new LP to be promoted in conjunction with her participation at the TV show Compagnia stabile della canzone , she is forced to comply with the requests of the record company, without however hiding her absolute opposition for the choice of the tracks to record.
In this way, Mia Martini has the chance to select for the upcoming album Un altro giorno con me only a few tracks that she likes: "Questi miei pensieri", "Milho verde" and "Veni sonne di la muntagnella". In the month of March, the song is also released, without however benefiting from a real promotion: it is the last official Mia Martini's track with the Ricordi label, almost simultaneously released with the music compilation album Mia.
Later, the record company RCA , the Roman label that had launched her career five years earlier, proposes to Mia Martini a contractual offer which also provides freedom regarding her repertoire's choice: Mia Martini, who has been considering a change of label for some time, decides therefore to withdraw early from the contract with Ricordi, where the tensions had by now become irremediable. The move to the label RCA sees Mia Martini as the leading artist of the satellite label Come Il Vento , in which the singer seems to find the inspired environment she needs.
The new album Che vuoi che sia For the launch of the album, the national TV Rai produced a special in color with the same name directed by Ruggero Miti, and broadcasts an exclusive concert on the radio. Furthermore, with "Che vuoi che sia The year ends with the live recording of a special for the French television in November and with her collaboration with Sergio Endrigo.
In the meantime, however, the singer is sued in court by the record label Ricordi for breach of contract; the record company requests and obtains not only the withdrawal from the market of her new LP which in fact was only temporary , but also and above all the seizure of all the artist's assets and earnings, as well as the payment of a very high penalty, for the amount of almost 90 million lire of the time.
In a TV concert broadcast in France, Mia Martini captures the attention of Charles Aznavour , who is struck by the intensity of her interpretative style: the French singer-songwriter asks her to join him for a duo show to perform in different theatres in Europe, starting at Teatro Sistina in Rome. In , Mia Martini is chosen to represent Italy at the Eurovision Song Contest with " Libera ", track recorded in different languages, finishing 13th out of The original song was a ballad, but was later revamped before the contest to give it a more disco-influenced feel.
Mia Martini will state in later interviews that she didn't like the new version of the track and wanted to sing the original version of the song. In the same year, she records one of her best known interpretations, "Per amarti", written by Bruno Lauzi and Maurizio Fabrizio. She releases the album with the same title Per amarti , in which she works for the first time with the songwriter Ivano Fossati , who participates for the choirs of the song "Un uomo per me", cover of " Somebody to Love " by Queen and writes the lyrics of "Se finisse qui", cover of " Give a little bit " by Supertramp , starting with him an artistic partnership and a sentimental relationship that will change the fate of her life.
On 10 January , together with Aznavour, she debuts successfully at the Olympia in Paris. However, after the month of reruns, Mia Martini renounces the renewal of the contract to bring the recital in England, at the Royal Albert Hall in London, to stay with her new lover Fossati and for this reason it fades the possibility to record an entire album with Aznavour, as initially planned. Her relationship with Fossati leads Mia Martini to evaluate only projects that really interest her, regardless of the prestige they may bring to her:.
This is not true at all Meanwhile, new contrasts arise with her record label: Mia Martini begins to no longer feel welcome at the record company RCA, probably following the strong quarrels due to the significant changes made to the text and arrangement of "Libera", sung at the Eurovision Song Contest , which in fact they had distorted the original draft, leaving the artist completely disappointed; the singer also complains about the lack of commitment on the part of the record company in making the new LP destined for the British market, which in fact will never be completed.
The following year, Mia Martini will publicly accuse the label of having boycotted her work, limiting their distribution, and of having actually hindered her by creating an environment hostile to her. Mia Martini thus moved with the label Warner Bros. Records , the only record company willing to pay the artist's entire debt with the RCA, following the anticipated breach of contract. In record time, the first single "Vola" by Ivano Fossati was recorded and released in July.
From this LP album, tracks like "La costruzione di un amore" and "Danza" will remain in the artist's repertoire for a long time. But her relation with Fossati soon becomes complicated, and as a result of this, a long-awaited collaboration with Pino Daniele which included the realisation of her next album fades. Mia Martini herself will recall this particular period of her life in an interview:.
And I had my trouble to walk through this minefield. I had a deal with another record company, and I had to break it because of him. Because he was jealous, of executives, of musicians, of everyone. But most of all he was jealous of me as a singer. He said he wanted me as a woman, but it wasn't true because in fact he didn't even want a child with me, and the proof of love was to completely abandon even the very idea of singing and completely destroy Mia Martini.
I was torn, I couldn't do it. The fact that there were all those debts to pay was my excuse for not quitting. But when he violently opposed to my upcoming collaboration with Pino Daniele, which I really cared about, for an album that I had to do, this fight between me as a woman and Mia Martini became a fierce thing. And in fact when I went to the recording room to record the album, without Pino Daniele, my voice went away. I found myself with my vocal cords imprisoned in a thick membrane made up of nodules.
It seems to be a very rare thing. I underwent two surgeries. I was mute for a year. And I didn't know if I could return to sing. I started again, with difficulty The music industry is a terrifying environment and I decided to stay out of it, to stay behind the scenes for three years. I became disenchanted. I know what type of corruption is behind the facade of an artist and I don't want to be involved anymore.
I will continue to sing, but just step by step. In the entertainment world, everyone tries to crush you, to tarnish your dignity. And, in the end, we are the one who are responsible in front of the public, personally. And so I ended up under the knife twice. After the surgery, for three months I could not even speak. I underwent surgery and the doctors kept my mouth opened with a steel device that hurt my entire palate.
It was a very painful time. In , after a year of silence following two difficult surgeries at her vocal cords which changed the sound of her voice in a more hoarse and less extended timbre , Mia Martini decides to put herself up as a songwriter as well, presenting herself with a more discreet and androgynous look, far from the eccentric one of the seventies.
Among the tracks the song "Del mio amore" and the two singles "E ancora canto" and "Ti regalo un sorriso", with which she competes at the Festivalbar in The album received favourable reception, despite many difficulties encountered for the radio and television promotion, due to an increasing form of ostracism towards Mia Martini, an ostracism which the singer begins to denounce in various interviews:.
I had to make a television special that RAI had assigned to me, but the official responsible for the program in the end denied it to me. A radio and television programmer, who is working on the realisation of a summer show for the network, has clearly told my record company that it is much better that I stay away from his crew, because I bring bad luck. Many thanks for this contribution to intelligence. But does this seem fair to you? At this point, I have also stopped hating them and stifling my anger and despairing.
In , Mia Martini competes for the first time at Sanremo Music Festival , where she sings a song written by Ivano Fossati, entitled "E non finisce mica il cielo". Despite not reaching the podium, music journalists decide to award the performance with a Critics prize, which is established specifically for Mia Martini's interpretation.
After her death, the Critics award will be named in her memory "Mia Martini" Critics award. The same year, she will write Quante volte , one of her most popular songs written by herself , a soft-funk track, with music and arrangement by Shel Shapiro , producer of her new LP album Quante volte Initially the single "Quante volte" is distributed in a few thousand copies, but after its first hit-parade, her record label DDD is quick to reissue it with a different cover , reaching favourable sales: "Quante volte" also enters the German charts, which is why a German version is recorded, which however will remain unpublished.
The album Quante volte contains other tracks written by Mia Martini, like "Stelle" and "Bambolina" released the year after as a single. In , Mia Martini decides to leave the music sector. An increasing smear campaign, started ten years earlier, links her presence to negative events and identifies her as a person bringing bad luck. In the music industry, even Mia Martini's name was banned to be uttered. Whatever I did was destined to have no response and I had all the doors shut in my face.
There were people who were afraid of me, who, for example, refused to participate at shows and events in which I should have taken part too. I remember that a manager begged me not to participate in a festival, because no record company would have sent their artists if I was there. This had gone to an absurd level, so I decided to withdraw. Still about this topic, Mia Martini will tell in an interview to the weekly magazine Epoca :. Once I was a guest at Discoring , he was the director.
As soon as I entered the studio I heard Boncompagni saying to the crew: guys, beware, from now on anything can happen, the microphones will blow, there will be a black out. Mia Martini, in the same interview, will also explain how the infamous story, which profoundly marked her artistic career and her personal life, began:.
Then I was beginning to have my first successes. Fausto Paddeu, a producer nicknamed 'Ciccio Piper' because he was often at the Piper Club a famous disco club , offered me an exclusive contract for life. He was a totally unreliable type and I refused it. And after a few days, returning from a concert in Sicily, the van in which I was traveling with my band was involved in an accident.
Two guys lost their lives. Then it was the turn of RAI which began to stop airing my songs. Then the record companies, who rejected my songs. Tracklist: 1. Fred again.. JT Donaldson, Liv. E — Stay Inside feat. Gruuve — Cloud Extended Mix Natural Rhythm — Jive Saison Remix Dilby — Muruba Original Mix Chris Stussy, S.
Solomun — Love Recycled 1 Original Mix Dilby — Easy Rider Original Mix Kerri Chandler — You Original Mix Robert Owens Original Mix Supernova — Our Paradise Extended Mix Deepkiller — Darling — Sharing-DB. Gorge — Erotic Soul Rework Claptone — Cream Original Mix Ninetoes — Finder Original Solomun, Jamie Foxx — Ocean feat.
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